Grab bag.

From CinemaBlend:

It’s easy to assume that this debut record would be conjured up with lovey-dovey ballads, but that is not the case. With the exception of “Each Other” as the one straight-up love ballad and “Home,” which I think has spiritual connotations, the tracks are primarily geared toward the broken-hearted, bitter, Ben & Jerry’s-devouring single woman. You know—the type who says men are all jerks and she always has bad luck with them, despite always dating the same type of guys over and over.

So we have a contrast between the “hot” and “not” duking it out in this one. The good songs are really good and the rest are…well, not. In any case, Miss McPhee should be proud of herself and this mixed-bag first attempt, which will likely sell a lot of copies and get a bunch of radio play. The 22-year-old has a hot voice and enough sex appeal to transcend her to the pop elite, just so long as she plays her cards right. I would merely advise her to not travel down the same path of her personal idol, Whitney Houston; just lay off the rocks, sweetheart.

From The 451 Press:

The CD, which was released today, is a mix of all things pop and R&B. The music — almost from start to finish — is the kind of stuff you can expect to hear while shopping at the mall. In other words, it’s the kind of music that easily can be forgotten.

Maybe I’m a little frustrated, because I wanted to hear a ballad-heavy release from McPhee. Instead, bubble-gummish pop tunes such as “Not Ur Girl” and “Dangerous” sound more like the early work of Christina Aguilera and, dare I say, Britney Spears. It’s almost like McPhee is trying too hard to fit in somewhere, somehow…McPhee’s voice still is sweet. It’s just not the McPhee that led us to catch McPheever. Seriously, the only song that will give you faith in having supported this girl — at least if you were in it for the ballads — is “Ordinary World.”

From The New York Daily News:

“Katharine McPhee” tempers a Beyoncé album with the mall-baiting R&B of Mariah Carey. Cuts like the likable opening ditty, “Love Story,” have the same percussive attack of something from Jay-Z’s girl, but the chorus sweetens it with sugary pop…The album’s harder R&B beats give McPhee an edge she never had before, while the caramelized choruses suit her mainstream character. In “Dangerous,” there’s even a bit of crunk in the trunk (courtesy of the dance-club synth riff), but no one will mistake this for a Lil’ Jon record. It’s factory safe for the girliest of girls. More attention seems to have been paid to the first half of the album than the second, which downshifts into a bog of ballads. But overall, McPhee has made one of the most pleasing, and commercially attuned, of the “Idol” CDs.”

Gives McPhee an edge? Snerk. I’m assuming this guy doesn’t get out much.

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What the kids are sayin’



"I hate them all. The judges, TPTB, the blatant manipulation, the songs, the contestants, everything. I'm a die-hard Cook fan, but for the love of god, at least try to look like you're enjoying yourself up there! Please? Syesha was awesome but she ruined it by being completely shameless and disgusting. Yes, being on American Idol is exactly like the civil rights movement, except for the part where you're fighting to make the world a better place."



"All I can say after the disgusting display tonight of favoritism towards the mediocrity that is David A. - good luck trying to market and make money off of that kid, American Idol. (Not to mention good luck dealing with his father.) All the teeny boppers may buy up his American Idol coronation single, but they will quickly forget about him before the album comes out. And I shudder to think of a David A. album - song after song of unrelenting sameness and heavy breathing. Why they are pimping him for the win is beyond me."



"This show was simply a hot buttered mess tonight. And Jason "needs to be arrested for what he did to I Shot the Sheriff. But I hope he stays. He amuses me. "

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